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Extra resources for 110% Gaming, Issue 22, 2016
15 The opening credit scene that immediately follows is a long tracking hand-held shot of Ryu-’s back as he makes his way home through the streets of Kabuki-cho. On the way in and out of a topless bar and through dim alleys, Ryu-, like a thread quilting together disparate parts, runs into blacks, Indians, and other people of color doing business with their Japanese customers, exhibiting the multiracial cultures in Tokyo’s underworld nightlife and designating a cluster of marginalized nonwhite ethnic peoples that scatter around and have no legitimate place.
The representation of Chineseness derived from Hong Kong culture, other than being an exotic ethnic object consumed by Japanese viewers, does not have to be conceived as mere particularity. ” The fate of these ethnic and Chinese exiles could be the fate of all, and their interests may represent universal interests; after all, who Ethnic Ghosts in the Asian Shell 39 does not, in one way or the other, become dispossessed and displaced under the mechanism of global capitalism? Occupying the position of the excess not assimilated by the dominant society, these displaced ethnics precisely serve as a reminder of the very mechanism of capitalist economy, with its emphasis on incessant expansions and intensiﬁcations, that structurally generates more than what is needed.
Yang then asks Ryu- to go to the inﬂuential, elderly Fujianese boss Yeh in Yokohama for help. Ryu- is certain that there is a ﬁerce storm brewing and if he wants to survive this gang war, he himself is the only person he can count on. After some convoluted plots and twists,18 Ryu- ﬁnds he is nothing but a pawn in a lethal power struggle full of double-crossings. In the end, Ryu- is forced to kill Xiao Lian as he embraces her. He expresses regret—like many noir heroes—in his voiceover, “I shouldn’t have gone in her apartment.